Then select the important metronome marks you want visible. Once the midi file is open, check Hidden Objects in the View tab. If you have lots of tempo changes, you may want to uncheck the Show Metronome Marks option. Some midi files have tons of tempo changes, for instance, a tap tempo situation or sync to picture. One option worth mentioning in this dialog is Show Metronome Marks. Checking “Use multiple voices” will generally solve this issue. With certain MIDI files I get all of the notes coming in as Voice 2. You can always hide staves at any later point. When you are first importing your midi file, chances are, you want to get an overview of where everything is playing AND resting. Initially, I recommend that you uncheck “Hide Empty Staves” – this setting hides any staves where music is not playing in that particular system – sometimes referred to as a “French Score”. Here, you can choose your paper size and house style (Document Setup), track order and track display (Instruments), voices and metronome marks (Transcription), and whether or not to import Timecode and Hit Points. The MIDI file panel of the dialog looks like this (the dialog is unchanged from Sibelius 6): Note that in both Sibelius 6 and 7, you can (also) select Open… from the File menu and navigate to your MIDI file. The Open MIDI File dialog has two sections “MIDI FIle” and “Notation”.
In Sibelius 7, select the Import tab, and then Open MIDI file. To import your MIDI file directly into Sibelius, read on…
Read more about this specialist tool on SibeliusBlog. If you use a lot of keyswitches in your work, this utility is worth a look. Of particular note, keyswitches can be automatically converted to techniques, articulations or other text (e.g. *** The $100 Notation Switchblade program is a sophisticated alternative to the MIDI import feature of Sibelius – it converts MIDI files into an XML notation file, essentially bypassing the MIDI import feature in Sibelius. These same basic types of “clean-up” operations apply to most any sequencer. Select all and export to a Type 1 MIDI file, deselecting “Save track names as plain text”.Remove all unused controller data and other events ***, and either uncheck Play for tracks that you don’t want exported, or delete them before export.It also helps to have the tracks for your orchestral instruments named with “real” instrument names.
TRANSLATE TAB TO MIDI PATCH
Set a Default Patch for each instrument / track so you won’t have to reassign instruments in Sibelius after import.Make connected notes legato, so there are no spaces in between two note events (unless an obvious rest is intended) Quantize the music using Region > Quantize... or Region > Smart Quantize.Select all and export to a Type 1 MIDI file.This can also be buggy if the first event is after bar 1 beat one… so, to be safe, you can add a random dummy note event on bar 1, beat 1. Make sure the first note event starts in bar 1.Next, delete all muted events: SHIFT-M is the default key command, but that’s probably different depending on the user.Normalize region parameters (this function will make sure all the transpositions that were applied are in the actual MIDI content and not just a playback parameter).Quantizations are made permanent and notes are forced to be legato, so there are no spaces in between two note events (unless an obvious rest is intended).The MIDI clean-up starts in your sequencer program: Getting good, clean MIDI file conversions from your sequencer into Sibelius is an important technique to learn, and is easy once you know the steps.